Midnight (1939)

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Screwball comedy doesn’t get any more effortlessly elegant and gleefully irreverent than this roulette wheel of romantic deception, gleaming with cunning wit and Continental élan. A couture-clad Claudette Colbert is divine as a penniless American showgirl who crashes Parisian high society by posing as a wealthy Hungarian baroness—but both a scheming nobleman (John Barrymore) and a smitten taxi driver (Don Ameche) are soon on to her game. Billy Wilder and Charles Brackett’s sophisticated script—a typically subversive blend of fairy-tale escapism and caustic social observation—and the pitch-perfect direction of master craftsman Mitchell Leisen yield a topsy-turvy Cinderella story with a cynical bite.