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Jean Rollin’s second feature film, and his first in colour, The Nude Vampire (La Vampire nue) finds the master of the fantastique combining his trademark erotic-vampire themes with an homage to the mystery serials of his youth.
When Pierre (Olivier Martin), the son of a wealthy industrialist, witnesses a beautiful woman (Caroline Cartier) being pursued and captured by men in bizarre masks, he decides to investigate, uncovering a sinister vampire cult...
Starring Caroline Cartier (Lumière), veteran French character actors Bernard Musson (The Discreet Charm of the Bourgeoisie) and Paul Bisciglia (The Demoniacs), Lettrist artist Maurice Lemaître (co-writer of Rollin’s The Iron Rose), and Rollin regulars Olivier Martin (The Rape of the Vampire) and twins Cathy and Marie-Pierre Castel (Lips of Blood), The Nude Vampire is one of Jean Rollin’s most eccentric and effective works.
Brand-new 4K HDR restoration from the original negative by Powerhouse Films
4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible)
Original French and English mono soundtracks
Audio commentary with film historians Kevin Lyons and Jonathan Rigby (2024)
Jean Rollin Introduces ‘The Nude Vampire’ (1998)
Le Passage (2024): updated documentary on the making of The Nude Vampire by Rollin’s personal assistant, Daniel Gouyette, including interviews with key collaborators Natalie Perrey, Jean-Noël Delamarre, and Jean-Pierre Bouyxou
Fragment d’un dialogue (2024): extracts from selected interviews with Rollin conducted by Gouyette between 1998 and 2003
Interview with archivist Lucas Balbo exploring Rollin’s connection to the French anarchist union (2024)
Critical appreciation by author and film historian Virginie Sélavy (2024)
Original French and English theatrical trailers
Image gallery: promotional and publicity material, and behind the scenes
New and improved English translation subtitles for the French soundtrack
New and improved English subtitles for the deaf and hard of hearing
Limited edition exclusive 80-page book with a selection of new and archival writing including a new essay by David Jenkins, an archival introduction by director Jean Rollin, an archival interview with Rollin, and full film credits.
