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Anticipating the cool aesthetic of Seijun Suzuki’s Branded to Kill and based on a crime novel by Shinji Fujiwara, the author of the original material for the same year’s A Colt is My Passport, A Certain Killer and A Killer’s Key are similarly stylish contemporary hitman thrillers directed by Daiei’s top director of jidai-geki, Kazuo Mori (The Tale of Zatoichi Continues) and starring the studio’s top actor Raizō Ichikawa (Shinobi: Band of Assassins, Sleepy Eyes of Death).
In A Certain Killer, Shiozaki’s low-profile existence as a chef at a local sushi restaurant serves as a front for his true job as a professional assassin whose modus operandi is poisoned needles. He’s approached by Maeda, a low-ranking member of a local yakuza group, to take out a rival gang boss. But the sudden arrival into his life of a spirited young woman, Keiko (Yumiko Nogawa, Gate of Flesh), has dramatic ramifications on his relationship with his new employer. Ichikawa’s lone wolf assassin is back in A Killer’s Key, this time masquerading as a traditional dance instructor named Nitta who is called in to avert a potential financial scandal that threatens to engulf a powerful yakuza group with ties to powerful figures in the political establishment.
