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Here (2023:
Here follows Stefan, a Romanian construction worker living in Brussels who is about to return home to visit his mother, and maybe stay...longer. Using the leftovers from his fridge, he cooks up a big pot of soup and begins handing it out as farewell gifts to friends and family. But while waiting for his car to be fixed, he meets Shuxiu, a Belgian-Chinese woman preparing a doctorate on mosses. Her attention to the near-invisible stops him in his tracks. On the heels of Ghost Tropic (2019), Bas Devos offers another Brussels city symphony. With a quiet grace that's becoming a trademark, he and his team capture both the longing of contemporary urban life and the potential for enchantment that still exists in spaces shared by strangers from different worlds.
Ghost Tropic (2019):
Khadija is a fifty-eight-year-old Maghrebi cleaning woman living in Brussels in the wake of the 2016 bombings that shook the city. After work one night, she falls asleep on the last subway train, wakes up at the end of the line and has no choice but to make her way home?all the way across the city?on foot. Along the way, she has a series of encounters: with a security guard, a convenience store clerk, a group of teenagers. She asks for help and she gives it and slowly, steadily makes her way.
Director Bas Devos' lightness of touch combines with the richness of Grimm Vanderkerckhove's 16mm images to create a small wonder of humanistic storytelling. Ghost Tropic is a testament to the everyday drama of immigrant life and insists on the possibility of goodness and beauty, even in the dark of night.
